Showing posts with label Enchanted Lion Books. Show all posts
Showing posts with label Enchanted Lion Books. Show all posts

11.30.2020

Drawing on Walls

The Story of Keith Haring

Enchanted Lion Books

(pub. 5.19.2020)  

64 pages

A True Tale with

A Cherry On Top   

A uthor: Matthew Burgess
       and illustrator: 
           Josh Cochran
 
C haracter:  Keith Haring

O
 verview:
       
"'I would love to be a teacher because I love children and I think that not enough people respect children or understand how important they are. I have done many projects with children of all ages.' --Keith Haring
 
Truly devoted to the idea of public art, Haring created murals wherever he went... Often seen drawing in white chalk on the matte black paper of unused advertising space in the subway, Haring's iconic pop art and graffiti-like style transformed the New York City underground in the 1980s. 
 
A member of the LGBTQ community, Haring died tragically at the age of thirty-one from AIDS-related complications...this honest, celebratory book honors Haring's life and art, along with his very special connection with kids."
 
T antalizing taste: 

     "On a trip home for Christmas, Keith stumbled upon The Art Spirit by Robert Henri.

    After a few sentences, he felt as if the book was speaking directly to him, like a friend.

    'Do whatever you do intensely. The artist ... leaves the crowd and goes pioneering.'

    ... But no matter how busy he became or where in the world he went, he always made time for children.

    Keith understood kids and they  understood him. There was an unspoken bond between them.

    And since children often asked him to draw on their t-shirts, skateboards, and jeans, he always kept a black marker handy."

And something more:  In the Illustrator's Note, Josh Cochran writes: "My favorite way to draw is to start in the upper left-hand corner of the page and slowly work my way out. Sometimes I will draw an arm or a cheeseburger too big or too small, and this will affect how I draw the next things. I'll have to compensate by squeezing something in a tiny space or rendering a bright purple cloud to balance the composition. Drawing as stream-of-consciousness poetry is something that I absorbed in large part from Keith. The way he would approach a wall or a canvas with no hesitation is a constant source of inspiration."

1.18.2016

enormous SMALLNESS

A Story of E. E. Cummings

Enchanted Lion Books

(published 4.7.2015) 64 pages 

A True Tale with Cherry On Top 

A author: Matthew Burgess
      and Illustrator: Kris Di Giacomo 

C character: E. E. Cummings

O verview from the jacket flap: 

    "'There once was a boy with a big imagination who loved to play tag, climb trees, and gaze out of his window. Inspired by the world around him, he expressed his excitement in pictures and poems. Before he could even write, he played with words and said poems aloud. And when he got older, he filled page after page with poems.

This sensitive and spirited glimpse into the life of E. E. Cummings ... is a lively story starring Edward Estlin, the playful child fascinated by words, who will grow up to become one of America's most beloved poets. Some of Cummings' most wonderful poems are integrated seamlessly into the story..."

T antalizing taste: 

"When Estlin was eleven,
his favorite teacher, Miss Maria Baldwin,
noticed his wonderful way with words
and encouraged him.
From her, Estlin learned that

anything is possible,
as long as you are true to yourself
and never give up, even when the world
seems to say, stop! 

... Using a style all his own,
e. e. put lowercase letters where capitals normally go,
and his playful punctuation grabbed reader attention.

His poems were alive
        with experimentation
                    and surprise!

And because of his love for lowercase letters,
his name began to appear with two little e's (& a little c, too)."

and something more: I'm always intrigued by the author's connection to a story, and Matthew Burgess shares a wonderful story in his "author's note" (note that it's all in lower case): "In June, 2007, I was invited to lead a 'literary walk' of Greenwich Village. I had never given a tour before, so I took photographs of the buildings on the route and wrote notes on the back for reference. A few days later, a I stood on the stoop of 4 Patching Place, anxiously trying to remember snippets of E E. Cummings' life story to share with the assembled group, the front door swung open. A woman and a boy emerged, and by a stroke of luck, the woman happened to be friends with someone in our group [and she invited them inside.] 

Suddenly, the twelve of us were filing up the tiled narrow staircase andante the room where Cummings had worked for almost forty years. The windows opened to trees and birdsong, and the summer light filtered in. The room showed all the telltale signs of a young boy's bedroom, but it wasn't difficult to imagine E. E. Cummings writing and painting there...

Three years later, when my publisher, Claudia Zoe Bedrick, asked me if I would be interested in writing picture book about E. E. Cummings, I remember that day at Patching Place, and I sensed another door opening. E. E. Cummings was one of the first poets to make a strong impression on me when I was a child, and the memory of visiting his home felt like an auspicious sign."

Serendipity indeed!

12.17.2012

Coppernickel Goes Mondrian


This post is part of Nonfiction Monday
hosted today by Jean Little Library
and joins It's Monday!
What are you reading?

(pub. 5.8.12) 40 pages 

A True Tale with A Cherry On Top

A uthor and illustrator: Wouter Van Reek 

haracter: fictional Mr. Quickstep (alias for Piet Mondrian) 

O verview from the jacket flap: 

      "Mr. Quickstep (alias for Mondrian) is looking for the future. On the way, he bumps into Coppernickel. Coppernickel tells Mr. Quickstep he shouldn't bother looking since the future will arrive anyway. Quickstep disagrees, for the future he's after doesn't exist, but needs to be discovered. What stands out in this graphically distinguished homage to one of the great artists of the 20th century is the idea that the future is ours to create. A wonderfully imaginative story about art, vision and creativity!" 
        
T antalizing taste: 

           "'Look, I'm on the verge of a completely new future,' says Mr. Quickstep. 'I can feel it.'
             'But there's still something missing ... a touch of something so new it may not even exist yet.'
[Illustration shows Mr. Quickstep in his studio with classic Mondrian primary color square/rectangle paintings against the wall. And he's holding a roll of tape.]
            'What have you got here?' says Coppernickel. 'This is great stuff! Does it stick to everything? Can I give it a try?'
         
and something more: The note at the back of Coppernickel Goes Mondrian explains that "In the 1930s, with Hitler's rise to power, Mondrian realized he could no longer stay in Paris, so he fled, first to London, then to New York ... He loved New York immediately, with its straight avenues, skyscrapers, busy streets and vibrant atmosphere... His new friends took him to dance halls where the very newest music, the boogie-woogie, was being played. .. New York thus inspired him to recreate himself once again... For the first time, he began to stick lengths of colored tape onto his canvases. This allowed him to move and shift his colors as often as he liked until everything looked just right. Only then would he replace the colored tape with paint.  It was in this way that he created his renowned, Broadway Boogie Woogie."
       San Francisco Museum of Modern Art has a wonderful Mondrian painting, New York City 2 (unfinished), that still has tape on it so viewers get to see Mondrian's process.  As a docent for school groups at SFMOMA, I've led a fun art project in front of this artwork in which students  use colored tape to create their own Mondrian inspired paintings. They always create wonderful art!