Showing posts with label Lee and Low Books. Show all posts
Showing posts with label Lee and Low Books. Show all posts

4.14.2013

It Jes' Happened

When Bill Traylor
Started to Draw

This post is part of Nonfiction Monday hosted today
at NC Teacher Stuff
and joins It's Monday!
What are you reading?

(pub. 4.1.2012) 32 pages 

A True Tale with A Cherry On Top

A uthor: Don Tate
     and Illustrator: R. Gregory Christie

haracter: Bill Traylor

O verview from the jacket flap: 

      "Growing up as an enslaved boy on an Alabama cotton farm, Bill Traylor worked all day in the hot fields. When slavery ended, Bill's family stayed on the farm as sharecroppers. There Bill grew to manhood, raised his own family, and cared for the land and his animals.
      By 1935 Bill was eighty-one  and all alone on his farm. So he packed his bag and moved to Montgomery, the capital of Alabama. Lonely and poor, he wandered the busy downtown streets. But deep within himself Bill had a reservoir of memories of working and living on the land, and soon those memories blossomed into pictures. Bill began to draw people, places, and animals form his earlier life, as well as scenes of the city around him.
      Today Bill Traylor is considered to be one of the most important self-taught American folk artists...It Jes' Happened is a lively tribute to this man who has enriched the world with more than twelve hundred warm, energetic, and often humorous pictures."

T antalizing taste: 

       "Bill could not contain his memories. One day in early 1939 he picked up the stub of a pencil and a piece of discarded paper and began to pour out his memories in pictures. Bill's first drawings were simple items: cats, cups, shoes, baskets. Then he began to draw human and animal forms too. He used the side of a stick to rule straight lines and shapes. Rectangles became bodies. Circles became heads and eyes. Lines became outstretched arms, hands, and legs. He filled in shapes with sketchy lines and smoothed out edges...
      And the clang-clang-clang from the nearby blacksmith's shop provided background music for Bill while he worked."
                       
and something more:  I was impressed by the wealth of information available on the Teacher Activity Guide for It Jes' Happened on Don Tate's website. I particularly enjoyed reading about Don Tate's personal and artistic connections to Bill Traylor: 

"What aspect of the man is most compelling to you, his art or his life?

"Bill Traylor’s life as a slave, sharecropper and artist are all compelling stories. Definitely not easily separated. But I was most moved and inspired by his story of becoming not only an artist, but one of the most important artists of our time..."



"In what ways do you relate to Bill Traylor? As an artist? As a father? As a man?

"When I began to research and study the life of Bill Traylor, I immediately felt a kindred spirit to the artist. With no formal training (or any artistic experience that we know of), Bill answered his calling to become an artist late in his life. I did, too. I’ve been drawing since I was old enough to hold a pencil in my hands, but I didn’t discover a love of writing until just a few years ago, well into my 40s. And like Bill, I had friends along the way who helped me develop my new found love of words...

       Words have a way of finding your past. And so do pictures, as Bill discovered. When I write, I often find myself laughing, or frowning, or even on the verge of tears, as I recall childhood events. I imagine Bill did the same thing as he drew pictures from his life as a slave, as a hardworking sharecropper, as a homeless man living on the streets."

9.16.2012

Silent Star


The Story of Deaf Major Leaguer William Hoy

This post is part of Nonfiction Monday hosted today by Wrapped in Foil and joins It's Monday! What are you reading? at Teacher Mentor Texts
(pub. 4.1.2012) 40 pages 

A True Tale with A Cherry On Top

A uthor: Bill Wise
         Illustrator: Adam Gustavson

haracter: William Hoy

O verview from the jacket flap: 

      "William Hoy loved baseball. Growing up in the 1860s and '70s, he dreamed of one day playing in the major leagues. A far-off fantasy for many boys, fulfilling this dream was even more of a long shot for William, who was deaf... A talented played with a standout record, Hoy is a shining example that success in life should not be measured by differences but by drive and determination."
        
T antalizing taste: 

   "Some children teased William or were afraid to play with him because he was deaf and did not use his voice to communicate. Adults could be thoughtless too, looking down on the boy or ignoring him altogether. Friendly and personable, William was confused, his feelings hurt. Everyone was different in some way. He wondered why people could not accept him as he was." 

and something more: I chose another baseball book for today because our family is in big-time baseball mode with the hopes that the San Francisco Giants will keep rolling. I like the photo at the back of Silent Star of a baseball signed by William Hoy -- there's just something about signed baseballs and signed books. 

The author, Bill Wise, learned about William Hoy when he was a boy, and now he's sharing this inspiring story with another generation of children -- not only readers, but his students. As a former 7th and 5th grade language arts teacher, I'm impressed that Bill Wise teaches 8th grade math and language arts! In an interview about writing and baseball, Bill Wise was asked How do you feel teaching affects the way you put together a story? He answered, "Because I am a teacher, I try to write stories that teach children about determination, tolerance, courage, and pride."

10.30.2011

The East-West House

The East-West House
Noguchi's Childhood in Japan

This post is part of Nonfiction Monday 
hosted today by Jean Little Library
Lee & Low Books 

(pub. 8.1.2009)  28 pages 

A True Tale with A Cherry On Top 

A uthor and illustrator: Christy Hale
    
C haracter: artist Isamu Noguchi
 
O verview from the jacket flap: 
"Isamu was a boy of the East and the West. Born in the United States to a Japanese father and Scoth-Irish American mother, Isamu grew up in Japan. From his earliest years he felt the tug of his biracial heritage, never quite fitting in or thinking he belonged. Pleasure came, however, from the natural world... Noguchi created a vast array of innovative sculptures, stage sets, furniture, and public spaces. The East-West House is a tribute to the artistic beginnnings of this pioneering modern sculptor and designer."


T antalizing taste:  
                          
"With the world in his hands his imagination soared. And where emptiness once lived, Isamu created home."

and something more:  
Two of my Bay Area writer friends, Amy Novesky and Amy Gibson suggested the picture book biography, The East-West House, for my blog written and illustrated by another local author, Christy Hale.  Christy's lyrical text and Japanese-inspired illustrations captivated me as I learned about Noguchi's childhood and the influences which contributed to his beautiful sculptures.

I've always been fascinated that Noguchi collaborated with the modern dancer pioneer, Martha Graham, and designed theater sets for her performances.  I liked what Christy says in the back matter: Noguchi's sets "allowed dancers and objects to move freely through space. Noguchi came to think of sculpture as more than just static, three-dimensional objects. His sculptures expressed movement. They presented different views and changing patterns of light and shadow, and gave space a sense of depth."  The perfect type of setting for modern dance!